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Undine Sonata

Sonata for Flute and Piano
Based on the sources of Irmlind Capelle. Notes on interpretation by Susanne Schrage/Peter Roggenkamp. Fingerings in the piano part by Peter Roggenkamp.
flute and piano
Die Undine-Sonate für Flöte und Klavier ist eines der wenigen noch heute regelmäßig gespielten Werke des Komponisten Carl Reinecke und zugleich eines der wenigen romantischen Repertoirestücke für die Querflöte.
Product number: UT50242
Edition: Urtext
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Product Details

Description

The Undine Sonata for flute and piano is one of the few works by the composer Carl Reinecke which is regularly performed even today, and is at the same time one of the few Romantic repertoire pieces for transverse flute. Although not obviously programme music at first glance, and sometimes even questioned as such by contemporaries, the work nevertheless falls back on the Undine subject which was a popular opera theme in the 19th century. The Wiener Urtext Edition now presents a new publication of the work which closely follows the text of the original edition (unfortunately, manuscript sources are not extant). The notes on interpretation follow the tracks of the extra-musical programme, trying to bring the work and its interpretative understanding into close connection with the Undine subject.

Contents

Allegro
Allegretto vivace
Più lento, quasi Andante
Allegretto vivace
Andante tranquillo
Molto vivace
Allegro molto agitato ed appassionato, quasi Presto
Un poco più tranquillo
Più lento

More Information

Title:
Undine Sonata
Sonata for Flute and Piano
Based on the sources of Irmlind Capelle. Notes on interpretation by Susanne Schrage/Peter Roggenkamp. Fingerings in the piano part by Peter Roggenkamp.
Urtext
Edition:
Urtext
Brand:
Wiener Urtext Edition
Opus:
op. 167
Series:

Technical Details

Product number:
UT50242
ISMN13:
979-0-50057-262-6
ISBN13:
978-3-85055-604-0
UPC:
800522001673
Weight:
0,3 kg
Pages:
62
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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