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Sheet music

The Easiest Preludes

Edited from the autograph and first editions by Bernhard Hansen. Fingerings by Jörg Demus
Urtext
piano
Product number: UT50275
Edition: Urtext
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Product Details

Description

Frédéric Chopin's 24 Préludes were created successively between 1836 and 1839; it was only in the fair copy of 1839 that they were compiled as a cycle - virtually following the example of Bach's Well-Tempered Clavier. Unlike with Bach, however, Chopin's Préludes are not followed by fugues as they themselves have mutated into romantic character pieces which express a range of very different moods. The technically easier ones of these miniatures are perfect as an introduction to playing Chopin, all the more so since they include the probably most famous piece of the cycle, the so-called 'Raindrop' Prélude. Intended to provide both students and music lovers with an inspiring access to the tonal world of Chopin, the present edition of selected pieces of the Wiener Urtext Edition has been designed accordingly.

Contents

Nr. 4
Nr. 6
Nr. 9
Nr. 15
Nr. 7
Nr. 20

More Information

Title:
The Easiest Preludes
Edited from the autograph and first editions by Bernhard Hansen. Fingerings by Jörg Demus
Urtext
Edition:
Urtext
Brand:
Wiener Urtext Edition
Opus:
op. 28 Nr.4,6,9,15,7,20
Series:

Technical Details

Product number:
UT50275
ISMN13:
979-0-50057-329-6
ISBN13:
978-3-85055-703-0
UPC:
800522002632
Weight:
0,05 kg
Pages:
8
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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