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Sheet music

Symphonie Gothique

Edited from the sources
Urtext
Organ
Product number: UT50179
Edition: Urtext
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Product Details

Description

This work is one of the most important organ compositions of the end of the nineteenth Century. It was written in the years 1894/95, though the earliest
fragments date back to 1890. These had their origins in improvised Magnificat versets played by Widor at the inauguration of the Cavaillé-Coll organ of St. Ouen in Rouen. This new edition of the Wiener Urtext edition is based upon the first edition (no manuscript scores have survived) and on further editions published during Widor’s lifetime.
A recording made in 1932 of Widor’s own playing has been studied in conjunction with the printed source materials. The varied ending played on that recording is included as an alternative. It bears witness to the composer’s improvisational treatment of his own work and the spirit in which the whole composition was originally conceived.

More Information

Title:
Symphonie Gothique
Edited from the sources
Urtext
Edition:
Urtext
Level of difficulty:
virtuoso
Brand:
Wiener Urtext Edition
Opus:
op. 70
Series:

Technical Details

Product number:
UT50179
ISMN13:
979-0-50057-138-4
ISBN13:
978-3-85055-611-8
Weight:
0,27 kg
Pages:
50
Format:
30.3cm x 22.2cm
Binding:
Paperback/Softcover

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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