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Sheet music

Popular Nocturnes

Edited from the sources by Jan Ekier. Fingerings by Jan Ekier
Urtext
piano
Product number: UT50274
Edition: Urtext
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Product Details

Description

From ca. 1828 until the last years of his life, Frédéric Chopin devoted himself again and again to the nocturne genre emerging at the beginning of the 19th century. As Romantic character pieces evoking, in particular, evening and night moods, they actually count among Chopin's most poetic piano works. Their popularity is correspondingly large - that is reason enough to compile a selection of the most popular and at the same time technically somewhat easier pieces. The present pieces are ideal for pupils but also for piano-playing music lovers to immerse in the charming sound poems and, as already realized by Jan Kleczynski in 1866, to obtain a key 'to reveal the secrets of the other, even greater works of the master'.

Contents

Nocturne E minor, op. posth.
Nocturne C sharp minor, op. posth.
Nocturne E flat major, op. 9/2
Nocturne B major, op. 32/1
Nocturne F minor, op. 55/1

More Information

Title:
Popular Nocturnes
Edited from the sources by Jan Ekier. Fingerings by Jan Ekier
Urtext
Edition:
Urtext
Level of difficulty:
upper intermediate - advanced
Brand:
Wiener Urtext Edition
Series:

Technical Details

Product number:
UT50274
ISMN13:
979-0-50057-328-9
ISBN13:
978-3-85055-702-3
UPC:
800522002625
Weight:
0,1 kg
Pages:
24
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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