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Sheet music

Piano Sonata Eb Major

Edited from the sources by Christa Landon, revised by Ulrich Leisinger. Fingering by Oswald Jonas
Urtext
piano
Product number: UT51025
Edition: Urtext
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Product Details

Description

Among the piano sonatas by Joseph Haydn, the Sonata in E flat Hob. XVI:49 is probably the piece we know most about in terms of genesis. It is one of the few sonatas that have survived in Haydn's own handwriting, and the correspondence between Haydn and his 18 years younger admirer Marianne von Genzinger refers to the work several times. That alone was reason enough for Christa Landon, the renowned editor of Haydn's piano sonatas in the Wiener Urtext Edition, to present an edition of this work with a facsimile of Haydn's autograph many years ago. The new edition now publishes the facsimile with the musical text newly revised by Ulrich Leisinger.

More Information

Title:
Piano Sonata Eb Major
Edited from the sources by Christa Landon, revised by Ulrich Leisinger. Fingering by Oswald Jonas
Urtext
Edition:
Urtext
Level of difficulty:
lower intermediate - intermediate
Brand:
Wiener Urtext Edition
Directory:
Hob. XVI:49
Key:
E flat major
Series:

Technical Details

Product number:
UT51025
ISMN13:
979-0-50057-316-6
ISBN13:
978-3-85055-690-3
UPC:
800522002502
Weight:
0,18 kg
Pages:
40
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching

Preview/Media Contents

Video:
Sviatoslav Richter plays Haydn Sonata in E flat major (3/3)

More from this series

Vienna Urtext Edition and facsimile
Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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