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Lei Liang

Lei Liang

Country of origin: China
Birthday: November 28, 1972

About Lei Liang

What raised the evening out of the ordinary - far, far out of the ordinary - was composer Lei Liang, who brought pipa and quartet together in a work so brilliantly original and inarguably gorgeous that the two may never be the same...Liang’s Five Seasons, a sonic tour de force from a composer not yet 40. (Stephen Brookes, The Washington Post)

Heralded as “one of the most exciting voices in New Music” (The Wire), Lei Liang (b.1972) is a Chinese-born American composer whose works have been described as “hauntingly beautiful and sonically colorful” by The New York Times, and as “far, far out of the ordinary, brilliantly original and inarguably gorgeous” by The Washington Post.

Winner of the 2011 Rome Prize, Lei Liang is the recipient of a Guggenheim Fellowship, an Aaron Copland Award, a Koussevitzky Foundation Commission and a Creative Capital Award. His concerto Xiaoxiang (for saxophone and orchestra) was named a finalist for the 2015 Pulitzer Prize in Music. He was awarded the 2021 University of Louisville Grawemeyer Award for Music Composition for his orchestral work, A Thousand Mountains, A Million Streams.

Lei Liang was commissioned by the New York Philharmonic and Alan Gilbert for the inaugural concert of the CONTACT! new music series. Other commissions and performances come from the Taipei Chinese Orchestra, Boston Modern Orchestra Project, Berkeley Symphony Orchestra, the Heidelberger Philharmonisches Orchester, the Thailand Philharmonic, pipa virtuoso Wu Man, the Fromm Music Foundation, Meet the Composer, Chamber Music America, the National Endowment for the Arts, MAP Fund, Mary Flagler Cary Charitable Trust, the Manhattan Sinfonietta, Arditti Quartet, Shanghai Quartet, the Scharoun Ensemble of the Berlin Philharmonic, San Francisco Contemporary Music Players, New York New Music Ensemble and Boston Musica Viva. Lei Liang’s music is recorded on Naxos, Mode, New World, Bridge, Innova, and Telarc Records. As a scholar, he is active in the research and preservation of traditional Asian music.

Recent premieres include Luminous for solo contrabass and ensemble with Mark Dresser and the San Francisco Contemporary Music Players, led by Steven Schick, Song Recollections by the Formosa String Quartet, Inkscape for piano and percussion quartet, commissioned by Third Coast Percussion and the Percussion Ensembles of the Boston Conservatory and Manhattan School of Music, as well as Rose from the collaborative chamber opera Cuatro Corridos featuring Susan Narucki. During the 2016-2017 season, Liang received the premiere of Petal by Petal, Leaf by Leaf by the Myriad Trio and was featured on Miller Theatre’s Composer Portrait series at Columbia University which included the New York premiere of Luminous as well as the debut of Lakescape V for Loadbang. In the 2017-2018 season, Musicians from Yellow Barn, led by Seth Knopp, presented works from Liang’s Garden Series (for different instrumentations) paired with Johann Sebastian Bach’s Musical Offering, the acclaimed ZOFO piano duet commissioned and debuted Will you come to my dream? and the Boston Modern Orchestra Project (BMOP) gave the world premiere of A Thousand Mountains, A Million Streams at Jordan Hall in Boston. During the summer of 2018, Lei Liang will serve as Composer-in-Residence at the Valencia International Performance Academy and Festival in Spain, the Bennington Chamber Music Conference in Vermont, and the Kneisel Hall Chamber Music School and Festival in Maine. In the 2018/19 season, Liang’s multimedia chamber opera Inheritance will receive its world premiere at the University of California, San Diego, commissioned and produced by Susan Narucki.

Lei Liang studied composition with Sir Harrison Birtwistle, Robert Cogan, Chaya Czernowin, and Mario Davidovsky, and received degrees from the New England Conservatory of Music (BM and MM) and Harvard University (PhD). A Young Global Leader of the World Economic Forum, he held fellowships from Harvard Society of Fellows and the Paul & Daisy Soros Fellowships, as well as a residency with Calit2's Qualcomm Institute at the University of California, San Diego. He taught in China as a Distinguished Visiting Professor at Shaanxi Normal University College of Arts in Xi'an; served as Honorary Professor of Composition and Sound Design at Wuhan Conservatory of Music and as Visiting Assistant Professor of Music at Middlebury College. Lei Liang currently serves as Chancellor's Distinguished Professor of Music at the University of California, San Diego. Lei Liang's music is published exclusively by Schott Music Corporation (New York).

Worklist

Chronology

1972
Geboren am 28. November in Tianjin (China)
1990
Studienbeginn in den Vereinigten Staaten
1996
George Whitefield Chadwick Medallie des New England Conservatory und Tourjée Alumni Stipendium
1998
Ernennung zum Junior Fellow der Harvard University Society of Fellows
2000
Encounter Records veröffentlicht "March Cathedral" mit Liangs Against Piano, Garden Eight, Garden Six, Dialectal Percussions, Feng, Extend, und Garden Nine
2001
Harvard University Milton Stipendium
2002
Paul & Daisy Soros Fellowship for New Americans
2004
Heinrich Strobel Foundation-Stipendium des SWR Experimentalstudios
2007
Beschäftigung am Fachbereich Musik an der University of California, San Diego (UCSD)
2008
Auszeichnung der Fondazione William Walton Residency, sowie Aaron Copland Award und ASCAPLUS Award
2009
Guggenheim Stipendium

Uraufführung von "Verge" für 18 Solostreicher durch die New York Philharmonic als Teil der Eröffnung der CONTACT!-Reihe.

Mode Records veröffentlicht "Brush-Stroke", mit Liang’s "Serashi Fragments", "Some Empty Thoughts of a Person from Edo", "Memories of Xiaoxiang", "Trio", "In Praise of Shadows", "My Windows" und "Brush-Stroke".
2011
Elliott Carter Rome Prize der American Academy in Rom

Uraufführung von "Tremors of a Memory Chord" mit dem Taipei Chinese Orchestra und dem Pianisten Pi-Hsien Chen.

New World Records veröffentlicht das Album "Milou", mit "Ascension", "A Journey Into Desire", "Winged Creatures", "Yuan", "Lake", "Harp Concerto" und "Milou".
2012
Alpert/Ragdale Preis für Komposition

Naxos Records veröffentlicht "Verge" mit "Aural Hypothesis", "Five Seasons", "Tremors of a Memory Chord" und "Verge" für 18 Solo-Streicher.
2013
Uraufführung der Kammeroper "Cuatro Corridos" an der UCSD mit Susan Narucki (Sopran), Aleck Karis (Klavier), Steven Schick (Schlagzeug) und Pablo Gómez (Gitarre).

Composer-in-Residence am Calit2 Qualcomm Institute der University of California, San Diego
2014
Uraufführung der überarbeiteten Version des Saxophonkonzerts Xiaoxiang mit dem Boston Modern Orchestra Project unter der Musikalischen Leitung von Gil Rose und der Solistin Chien-Kwan Lin

Bridge Records veröffentlicht das Album “Bamboo Lights” mit Aufzeichnungen von u. a. "Listening for Blossoms", "Lakescape", "Serashi Fragments", und "Bamboo Lights".
2015
Xiaoxiang steht in der finalen Auswahlrunde des Pulitzer Preises für Musik 2015.

Professor der Musik an der University of California, San Diego
2016
Porträtkonzert am Miller Theatre der Columbia University, unter anderem mit der Uraufführung von „Lakescape V“
2018
Uraufführung von "Will you come to my dream?" mit dem ZOFO Klavierduo

Uraufführung von "A Thousand Mountains, A Million Streams" mit dem Boston Modern Orchestra Project unter der musikalischen Leitung von Gil Rose in der Jordan Hall in Boston
2020
University of Louisville Grawemeyer Award for Music Composition für "A Thousand Mountains, A Million Streams"

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