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Haydn - Mozart - Cimarosa

Vol. 2 | 24 easy Piano Pieces with Practising Tips - Edition with French and Spanish Commentary
Urtext
piano
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Product Details

Description

With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.

Volume 1 contains both frequently played educational works by Bach and lesser known pieces by Handel and Scarlatti, Volume 2 compositions by Haydn and Mozart as well as musically and educationally attractive pieces by Cimarosa. Volume 3 (scheduled for publication in summer 2013) contains pieces by Beethoven, Schubert and Hummel, Volume 4 (scheduled for publication in early 2014) works by Schumann, Brahms and Theodor Kirchner. Further volumes are being planned.

Contents

J. Haydn: Rondo in Es (Hob. I:85/I)
J. Haydn: Menuetto in B (Hob. I:85/III)
J. Haydn: Adagio in F (Hob. XVII:9)
J. Haydn: Allegro in B (Hob. XXVIII:8/I)
J. Haydn: Andante in A (Hob. I:53/II)
J. Haydn: Sonate in G (Hob. XVI:8)
J. Haydn: Menuet in A (Hob. XVI:26/II)
J. Haydn: Sonate in F (Hob. XVI:9)
W.A. Mozart: Allegro in F (KV 15a)
W.A. Mozart: Presto in B (KV 15II)
W.A. Mozart: Pimpinella (KV 33B)
W.A. Mozart: Thema in Es (KV 236)
W.A. Mozart: Andante in G (KV 545/II)
W.A. Mozart: Adagio in C (KV 356)
W.A. Mozart: Trauermarsch in c (KV 453a)
D. Cimarosa: Sonata in D (C. 8)
D. Cimarosa: Sonata in d (C. 9)
D. Cimarosa: Sonata in d (C. 17)
D. Cimarosa: Sonata in A (C. 21)
D. Cimarosa: Sonata in C (C. 50)
D. Cimarosa: Sonata in g (C. 33)
D. Cimarosa: Sonata in c (C. 66)
D. Cimarosa: Sonata in Es (C. 67)
D. Cimarosa: Sonata in c (C. 68)
D. Cimarosa: Sonata in A (C. 2)

More Information

Title:
Haydn - Mozart - Cimarosa
Vol. 2 | 24 easy Piano Pieces with Practising Tips - Edition with French and Spanish Commentary
Urtext
Language:
French, Spanish
Edition:
Urtext
Brand:
Wiener Urtext Edition
Series:

Technical Details

Product number:
UT52004
ISMN13:
979-0-50057-368-5
ISBN13:
978-3-85055-747-4
UPC:
800522003059
Weight:
0,25 kg
Pages:
64
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching

More from this series

Urtext Primo - ein neues Konzept für den Einstieg in die Klavierliteratur
Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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