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Sheet music

"Fur Elise" and "Lustig und Traurig"

Edited from the autograph by Jochen Reutter
Urtext
piano
Product number: UT50425
Edition: Urtext
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Product Details

Description

It is not only Beethoven's most famous piano piece, but also one of the most famous musical works ever: the piano piece "Für Elise". The fact that experts are still puzzling over who might be hiding behind the ominous Elise has not detracted from the popularity of this "highlight". Every piano student would like to play "the Elise" once. The Wiener Urtext Edition is presenting a new edition for the Beethoven Year 2020, which answers some frequently asked questions from piano teachers and cleans up the musical text of some of the unjustified changes of the 20th century. The edition is supplemented by the pedagogically inspiring piano piece "Lustig und Traurig".

More Information

Title:
"Fur Elise" and "Lustig und Traurig"
Edited from the autograph by Jochen Reutter
Urtext
Edition:
Urtext
Brand:
Wiener Urtext Edition
Directory:
WoO 59 and 54
Key:
B flat major
Series:

Technical Details

Product number:
UT50425
ISMN13:
979-0-50057-418-7
ISBN13:
978-3-85055-797-9
UPC:
800522003554
Weight:
0,09 kg
Pages:
20
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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