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Sheet music

Beethoven - Schubert - Hummel

Vol. 3 | 26 easy Piano Pieces with Practising Tips
Urtext
piano
Band 3 vereint Stücke von Beethoven, Schubert und Hummel, unter denen sich beliebte Stücke wie Beethovens „Für Elise“ ebenso zu finden sind wie unbekanntere, aber spielanimierende Sätze von Johann Nepomuk Hummel.
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Product Details

Description

With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), each volume contains works by three different composers, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. In contrast to conventional piano anthologies, the pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The explanations included at the end of each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.

After Vol. 1 with works by Bach, Handel and Scarlatti and Vol. 2 with compositions by Haydn, Mozart and Cimarosa, Vol. 3 contains pieces by Beethoven, Schubert und Hummel, including popular pieces such as Beethoven's 'Für Elise' and lesser known, yet stimulating settings by Johann Nepomuk Hummel.

Contents

L.v. Beehoven: Deutscher Tanz in G (WoO 8/6)
L.v. Beethoven: Sonatine in G (Kinsky-Halm Anhang 5/1)
L.v. Beethoven: Sonatine in F (Kinsky-Halm Anhang 5/2)
L.v. Beethoven: Bagatelle in F, op. 33/3
L.v. Beethoven: Bagatelle in g, op. 119/1
L.v. Beethoven: Bagatelle in a, op. 119/9
L.v. Beethoven: Walzer in D (WoO 85)
L.v. Beethoven: Für Elise (WoO 59)
F. Schubert: Menuett in B (D 41/5)
F. Schubert: Menuett in D (D 336)
F. Schubert: Menuett in A (D 334)
F. Schubert: 2 Ländler in Es (D 679)
F. Schubert: 3 Ecossaisen (D 299/3, 4, 8)
F. Schubert: Scherzo in B (D 593/1)
F. Schubert: 2 Walzer in As (D 365/6, 11)
F. Schubert: Walzer in Cis (D 139)
J.N. Hummel: Six Pièces très faciles, op. 52/1 Cadenza
J.N. Hummel: Six Pièces très faciles, op. 52/2 Allegro
J.N. Hummel: Six Pièces très faciles, op. 52/3 Tempo di Menuetto
J.N. Hummel: Six Pièces très faciles, op. 52/4 Romance
J.N. Hummel: Six Pièces très faciles, op. 52/5 Ecossoise
J.N. Hummel: Six Pièces très faciles, op. 52/6 Rondo
J.N. Hummel Allegretto in F
J.N. Hummel: Allegretto in C
J.N. Hummel: Tyrolienne variée
J.N. Hummel: Variationen über ein Thema von Vogler
Commentary
Aims and purposes of Urtext Primo series
Short biographical sketches
Practice tips

More Information

Title:
Beethoven - Schubert - Hummel
Vol. 3 | 26 easy Piano Pieces with Practising Tips
Urtext
Language:
German, English
Edition:
Urtext
Brand:
Wiener Urtext Edition
Series:

Technical Details

Product number:
UT52005
ISMN13:
979-0-50057-373-9
ISBN13:
978-3-85055-752-8
UPC:
800522003103
Weight:
0,25 kg
Pages:
64
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching

More from this series

Urtext Primo - ein neues Konzept für den Einstieg in die Klavierliteratur
Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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