+44 (0)20 7534 0710 -   We are open: Mon — Fri: 10:00 - 18:30 / Sat: 10:00 - 18:00
Lieferzeit
2-3 Tage
Sheet music

12 Fantasies

Edited from the First Edition
Urtext
flute
The edition is part of the ABRSM syllabus (grade 6,7,8)
Product number: UT50187
Edition: Urtext
Special Price £11.99 Regular Price £15.99
Incl. VAT, Excl. Shipping
Not in stock, but can be ordered - usually despatched (or ready for collection) within 7 days

Product Details

Description

The Wiener Urtext edition of Telemann's Fantasies is based on the first print published by the composer himself. The few obvious mistakes in the music have been corrected. In the critical notes the editor provides information about the source the authorship and authenticity. The notes on interpretation provide instructive suggestions for the historically informed performance practice. Discussion based on sources from the 18th century (Quantz, Hotteterre and others) about related works is included as well as about the basic aspects of baroque flute playing which, for every flautist, are indispensable.

Contents

Fantasie 9 E-Dur TWV 40,10
Fantasie 10 fis-Moll TWV 40,11

Fantasie 11 G-Dur TWV 40,12 Fantasie 12 g-Moll TWV 40,13
Fantasie 1 A-Dur TWV 40,2
Fantasie 2 a-Moll TWV 40,3
Fantasie 3 h-Moll TWV 40,4
Fantasie 4 B-Dur TWV 40,5
Fantasie 5 C-Dur TWV 40,6
Fantasie 6 d-Moll TWV 40,7
Fantasie 7 D-Dur TWV 40,8
Fantasie 8 e-Moll TWV 40,9

More Information

Title:
12 Fantasies
Edited from the First Edition
Urtext
Edition:
Urtext
Brand:
Wiener Urtext Edition
Series:

Technical Details

Product number:
UT50187
ISMN13:
979-0-50057-203-9
ISBN13:
978-3-85055-576-0
Weight:
0,19 kg
Pages:
46
Binding:
Saddle-wire stitching

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

Reviews

Be the first to review this product