Gavin Bryars
Product Details
Description
Arguably the most important British post-minimalist composer, Gavin Bryars has worked in classical music, jazz, free improvisation, minimalism, historicism, avant-garde, and experimental music. His style has evolved since his first piece, The Sinking of the Titanic (1969) and he remains a provocative yet accessible composer capable of working in a variety of different musical genres.
With a Foreword by Steve Reich, this book celebrates his 80th birthday by bringing together musicians, colleagues and collaborators who have worked with Bryars, each discussing one particular aspect of his work.
Contents
Foreword by Steve Reich
Prologue: An Interview with Gavin Bryars
Vocal Music, John Potter
Choral Music, David Wordsworth
Opera, David Wordsworth
Jazz and Improvisation, Brian Morton
Experimental Music, Virginia Anderson
Dance, Roger Heaton
Titanic and Jesus’ Blood, Brian Morton
Orchestral Music, Martin Cotton
Notes from a Collaborator, Blake Morrison
The Adnan Songbook, Anna Maria Friman
The Flower of Friendship, The Gavin Bryars Ensemble – Audrey Riley
Bryars and Art School, Simon Strange
After Handel’s ‘Vesper’ and the Harpsichord’s Dual Life, Mahan Esfahani
Tributes, Howard Skempton and Bryn Harrison
Epilogue: Career and Evolution, Gavin Bryars
Appendices include: Bryars’ Desert Island Discs, Catalogue of Works, Arrangements, Discography, Index of Names